G A L A X Y
Many cultures and philosophies view the cosmos as a source of spiritual insight or enlightenment. The title "Galaxy" can symbolize the search for meaning and one's connection to a greater cosmic force or spiritual journey.
Welcome to "Galaxy," a progressive rock album that invites you to embark on a sonic journey through the cosmos. Created between 1977 and 1986, this collection of music reflects the eternal exploration of the unknown, blending complex melodies and harmonies that evoke the vastness of space. Each track serves as a portal, guiding you through emotional starscapes that celebrate unity in diversity and the cyclical nature of existence.
As you listen, let the sounds transport you to distant realms and spark your imagination, reminding you of the infinite possibilities that lie ahead. Join me on this cosmic adventure as we navigate the beauty of life's journey through the music of "Galaxy
S O M E - D E E P E R - M E A N I N G S
Eternal Exploration: The 1980s were a time of great curiosity about space and the universe, mirroring humanity's desire to explore the unknown. This album can symbolize a quest for knowledge, pushing boundaries beyond the physical realm, inviting listeners to contemplate their place in the vastness of the cosmos.
Sound as a Gateway: Each track can serve as a portal to different celestial experiences—sonic representations of distant planets, stars exploding, or the serene beauty of a nebula. The progression of the album can mirror the journey through a galaxy, with each song revealing new dimensions, much like the never-ending exploration of space.
Emotional Starscapes: Just as the night sky is filled with countless stars, this music can evoke a range of emotions, from joy to melancholy. By weaving complex melodies and harmonies, the album allows listeners to connect with their inner selves and navigate their emotional landscapes as they look up at the stars.
Unity in Diversity: The concept of a galaxy encompasses a vast array of celestial bodies. In this light, my album can celebrate diversity in human experience and creativity, showing how different sounds and influences can coexist and create a richer tapestry. This could resonate with themes of unity, peace, and the interconnectedness of all life.
Nostalgia for the Future: The music created in 1980 can intertwine retro elements with forward-thinking ideas, reflecting a nostalgic look back at the past while simultaneously embracing future possibilities. This duality can inspire listeners to reflect on their journeys while remaining open to the infinite opportunities that lie ahead.
The Cosmic Cycle: Much like the cyclical nature of galaxies, the album could explore themes of rebirth, transformation, and the cyclical patterns in life. This could encourage listeners to meditate on their personal growth and the broader cycles of existence, touching upon philosophical ideas of time and space.
A Call to Imagination: Finally, the "Galaxy" album can serve as an invitation to dream. Through its progressive rock elements, you can encourage listeners to unleash their creativity, reminding them of the power of music and imagination to transcend the ordinary and journey into the extraordinary.
released November 22, 2024
W A R N I N G
if you have the "Galaxy" album I put out some years ago, or "New York By Night". Then you might already have some of this music.
2 4 / 4 8 k H z - F I L E S
"I am pleased to share that I have created new high-end recordings of the music, now featuring 24-bit/48kHz files. Pro Tools Ultimate at 24-bit/96kHz, utilizing the HD Omni - HD Native and REM Micstasy preamp for enhanced clarity and depth."
H I S T O R Y - B E H I N D
Early days recordings and ideas in my room at my parents house in the 70s and the 80s.
In the 70s I used two Cassette Tape Recorders adding one instrument at a time. (For extracting rhythm I also used two Cassette Tape Recorders recording a longer drum track. Using this technique has given the rhythms some instability. This instability can either be seen as irritation or a peculiarity to put a more personal touch around the way this was done.)
In the 80s I used the Scully 8-track 1" Tape Recorder and the Sound Techniques System 12 mixer. Mastered on a "Technics" cassette tape recorder.
"At this time, much of the music I made was built around a rhythm that I took from cassettes and LPs. Always looking for drums at the beginning of a song without other instruments."
I N S T R U M E N T S - E Q U I P M E N T S
Roland SH-1000 synthesizer, Roland Vocoder Plus VP 330, Programmable Polyphonic Synthesizer KORG POLY 61, Fender Rhodes, Roland Bass guitar synthesizer GR 33b, Ibanez Bass Guitar (taken away the frett for a frettless sound), Casiotone 202 Electronic Musical Instrument, Mini Moog, Technics SX K100, Ibanez Flanger FL 305, Roland Chorus Echo RE 501, BOSS Compression Sustainer CS-1, Boss Equalizer, Tone Bender Fuzz, Watkins CopiCat, Scully 8-track 1" Tape Recorder, Sound Techniques System 12 mixer, Altec Lansing Model 19 Speakers, and AKG Microphones.
S V E R R E - P L A Y I N G
Steinberger bass guitar, Ibanez fretless bass, bass synth, Roland Bass guitar synthesizer GR 33b, guitar, stings, synthesizers, vocals, plast organ with flanger (Voidophone), cymbals, percussion, blowing bottles, Vocoder, Mini Moog, Jupiter 4, metallic noise effects, tambourine, the Casio Casiotone 202 and Vocals.
S O N G S - D E E P E R T E X T - C R E D I T S
1. Galaxy 1982
This title encapsulates the vastness and mystery of the cosmos. The repetition of the number three could symbolize harmony (as in a three-part harmony), evoking a sense of balance within the infinite expanse of space.
Sverre Knut Johansen: Roland Mini Moog for Bassynth, effects and synth sounds & Roland Vocoder Plus VP 330 for the strings.
Drum from LP: For extracting rhythm I also used two Cassette Tape Recorders recording a longer drum track.
Recorded on Scully 8-track 1" Tape Recorder, Sound Techniques System 12 mixer using Altec Lansing Model 19 Speakers in 1982. At Void Studio Lillemoen Båsmoen.
2. Starlit Dreams 1983
Symbolizing aspirations and creativity illuminated by the light of the stars, this title invites listeners to explore their dreams and potential under the cosmic canopy, suggesting that dreams are born from the infinite possibilities the universe offers.
Sverre Knut Johansen: Strings Roland Vocoder Plus keyboard, Melodic Synths and Bass Synth from Mini Moog.
Paal Jøran Olsen: Synth arpeggio
Hans Jørgen Moe: Drums
Helge Jentoft: Guitar Solo.
Recorded on Scully 8-track 1" Tape Recorder, Sound Techniques System 12 mixer using Altec Lansing Model 19 Speakers in 1983. At Void Studio Lillemoen Båsmoen.
3. Paradox of Time. 1983
Refers to the relationship between past, present, and future. The complexity of time as both a linear and cyclical experience. It highlights the contradictions in how we perceive time, exploring themes of nostalgia, anticipation, and the fleeting nature of the present.
Sverre Knut Johansen; snare drum, guitar, Korg poly 61; synth pad, synths. arpeggios and synth melodies.
Paal Jøran Olsen; drums
Recorded in 1983 on the Scully 8-track 1" Tape Recorder, Sound Techniques System 12 mixer by Sverre K. Johansen at Void Studio, Nesnaveien 92, Båsmoen.
4. The Universe and I is One 1981
A meditative exploration of unity with the cosmos, this title emphasizes the interconnectedness of all life, urging listeners to recognize their role as integral parts of a larger, cosmic narrative, reinforcing themes of collective existence.
Sverre Knut Johansen, vocals, vocoder pluss, bass synth, guitars, strings and synthesizers
Drum from old Scully tape
Recorded on Scully 8-track 1" Tape Recorder, Sound Techniques System 12 mixer using Altec Lansing Model 19 Speakers in 1981. At Void Studio Lillemoen Båsmoen.
5. The Voids Embrace 1978
This title evokes the concept of finding solace in emptiness and uncertainty. It suggests that within the void lies potential and comfort, prompting listeners to embrace the unknown rather than fear it, representing growth through exploration.
Sverre Knut Johansen Plays guitars, fretless bass-guitar with Ibanez flanger and a organ.
Drums from Cassette.
I used two Cassette Tape Recorders adding one instrument at a time.
Recorded at Void Studio in 1978 at Kråkdalen 12 , Båsmoen,
6. Voyage to the Unknown 1977
A metaphor for life's journey into territories uncharted, this title captures the essence of adventure and discovery. It reflects the courage it takes to face uncertainty and the excitement that comes with each new experience.
Sverre Knut Johansen playing the «Voidophone» and the Roland SH-1000 synthesizer.
Paal Jøran Olsen: Drums
Using two Cassette tape players at Kråkdalen 12 in 1977.
7. Harmonic Convergence 1981
This title symbolizes the blending of various elements—musical, emotional, or spiritual—coming together in perfect harmony. It evokes ideas of synergy and the positive outcomes that arise when diverse influences interact.
Sverre Knut Johansen: all Instruments Except Drums
Drums by Paal Jøran Olsen
Recorded on Scully 8-track 1" Tape Recorder, Sound Techniques System 12 mixer using Altec Lansing Model 19 Speakers in 1981. At Void Studio Kråkdalen, Båsmoen.
8. Searching Home 1983
A title that resonates with the universal quest for belonging and identity. It represents the journey many undertake to find their place in the world, reflecting themes of nostalgia and the longing for connection.
Sverre Knut Johansen: Vocals, Vocoder Plus, Fuzz Bass Guitar, Synths, Akkords and Clean Guitar.
Paal Jøran Olsen: Guitars and drums
Recorded in 1983 on the Scully 8-track 1" Tape Recorder, Sound Techniques System 12 mixer by Sverre K. Johansen at Void Studio, Nesnaveien 92, Båsmoen.
9. I Can See Them Fly 1978
This title evokes images of freedom and transcendence. It symbolizes the ability to witness the limitless potential of others, reminding listeners of the beauty in watching dreams take flight, suggesting aspiration and support.
Performed By Sverre in 1978 using Frettless bass guitar, guitar, synth and his voice
At Kråkdalen 12 - with use of two Cassette Tape players.
Drums By Paal Jøran Olsen
10. Galaxy (Original) 1980
A retrospective look back at the original composition, this title anchors the album in its beginning, reflecting on the evolution of creativity and the timeless qualities of art that persist over the decades.
Sverre Knut Johansen using the Roland SH-1000 synthesizer for Bass synth, effects and synth melodies. String type:"Voidophone" plastic organ recorded with flanger and echo machine.
Drums From LP 1980.
I used two Cassette Tape Recorders adding one instrument at a time.
Echo machine was always used.
Recorded at Kråkdalen 12, Båsmoen in 1980.
11. Starlit Dreams (Original) 1981
Like the previous title, this one revisits the original version of a cherished theme, evoking nostalgia and the thread of creativity that ties past dreams to present aspirations, showing how they continue to influence the present.
Sverre Knut Johansen; Vocoder plus; strings and choir, bass-synth from the Roland SH-1000, the clean guitar and synth solo at the end of the song.
Paul Jøran Olsen; drums and the Roland SH-1000 synthesizer.
Helge Jentoft; guitar solo
Recorded in 1981 on the Scully eight track recorder by Sverre at Void studio, Kråkdalen 12.
Edited in 2022, Synth solo added in 2021 by Sverre Knut Johansen.
12. Mini Moog (Part 1) 1982
A homage to the iconic synthesizer that revolutionized music, this title celebrates the creative tools that inspire innovation. It represents the fusion of technology and art, inviting exploration into the soundscapes created by this instrument.
Sverre Knut Johansen playing Mini Moog
Hans Jørgen Moe: Drums
13. The Day Will Come. 1978
A title filled with hope and anticipation, suggesting that change, growth, and resolution are inevitable. It serves as a reminder that through patience and perseverance, brighter days are on the horizon.
Sverre Knut Johansen: Vocals, bass guitar, guitars and "Voidophone".
("Voidophone" plastic organ recorded with flanger and echo machine.)
Drums By Paal Jøran Olsen
Recorded at Kråkdalen 12 in 1978 with use of cassette players.
14. Celestial Circuits 1981
This title evokes the imagery of cosmic energy and interconnected pathways, suggesting a network of interstellar connections mirroring the connections we forge in our own lives, emphasizing unity and collaboration.
Sverre Knut Johansen: Fender Rhodes, Bass Guitar, Guitars and Synths.
Odd Gunnar Moe: Drums
Recorded on Scully 8-track 1" Tape Recorder, Sound Techniques System 12 mixer in 1981. At Void Studio Lillemoen Båsmoen.
15. Ethereal Connections 1981
A reflection on the intangible bonds that link us to one another and to the cosmos. This title suggests a sense of belonging to something greater, highlighting the spiritual relationships that enrich our lives.
Sverre Knut Johansen playing all instruments at Kråkdalen 12 exept the drums played by Odd Gunnar Moe
Recorded on Scully 8-track 1" Tape Recorder, Sound Techniques System 12 mixer in 1981
16. Luminous Boundlessness 1981
This title captures the essence of limitless potential and the vast expanse of opportunities available to us. It evokes feelings of wonder and possibility, encouraging listeners to dream without constraints.
Sverre playing: Organ, bass guitar and Synth.
Drums By Paal Jøran Olsen
Recorded on Scully 8-track 1" Tape Recorder, Sound Techniques System 12 mixer in 1981
17. Ambient Galaxy (Part1) 1977
A brief interlude that invites listeners into a tranquil cosmic space, emphasizing atmospheres over melody, suggesting serenity and the meditative quality of the universe.
Sverre Knut Johansen: Roland SH-1000 synthesizer and "Voidophone" plastic organ recorded with flanger and echo machine
Paal Jøran Olsen on Drums
Recorded at Void studio, Kråkdalen 12 in 1977 with use of 2 cassette players.
18. Ambient Galaxy (Part2) 1977
This title continues the ethereal atmosphere established in Part 1, inviting listeners further into a soothing soundscape of cosmic ambient textures. It emphasizes the idea of exploration within the peaceful expanses of the universe, suggesting that there are myriad layers to discover even in simplicity, allowing listeners to find solace in the depths of sound.
Sverre Knut Johansen: Roland SH-1000 synthesizer and "Voidophone" plastic organ recorded with flanger and echo machine
Paal Jøran Olsen on Drums
Recorded at Void studio, Kråkdalen 12 in 1977 with use of 2 cassette players.
19. Black Hole Galaxy 1977
Symbolizing the idea of consumption and transformation, this title evokes the gravitational pull of a black hole, which absorbs everything in its vicinity. It reflects themes of loss, fascination with the unknown, and the complexity of the human experience. It challenges listeners to consider the mysteries of existence and the profound changes that come from surrendering to forces greater than themselves.
Sverre Knut Johansen: Roland SH-1000 synthesizer
Recorded at Void studio, Kråkdalen 12 in 1977 with use of 2 cassette players.
20. Small Talk 1988
A title that captures the essence of everyday interactions and the seemingly trivial exchanges we share with others. It reflects the beauty found in casual conversations and human connection, emphasizing that even the smallest moments can hold profound significance and contribute to the tapestry of our relationships.
Sverre Knut Johansen: Roland SH-1000 synthesizer
Recorded at Void studio, Kråkdalen 12 in 1978 with use of 2 cassette players.
21. Top Of The Mountain 1981
This title represents achievement, reflection, and the perspective gained from reaching a pinnacle. It symbolizes the journey of overcoming obstacles to reach new heights, inviting listeners to contemplate their own milestones and the views revealed by their efforts. It conjures feelings of triumph and clarity, where the vastness of life is laid out like a breathtaking landscape.
Sverre Knut Johansen: Bass Guitar, Keyboard, bass synth and synthesizer.
Using Roland SH-1000 synthesizer
Drums By PJO
Recorded on Scully 8-track 1" Tape Recorder, Sound Techniques System 12 mixer in 1981.
22. Closeness version 2 1983
A continuation of a theme exploring intimacy and connection, this title delves deeper into the bonds we share with others. It captures the warmth of relationships and the emotional depth that comes from understanding and reciprocity, inviting listeners to reflect on their own connections, be they romantic, platonic, or familial. It emphasizes the richness of shared experiences and the support they provide in navigating life's complexities.
Sverre Knut Johansen: vocals using Roland Vocoder Plus VP 330 on the voice , drum machine, bass guitar, strings from the Roland Vocoder Plus VP 330, synth.
Paal Jøran Olsen synth and synth solo
Ivo Kråkstad electric drums
Kjetil Sjåvik guitar solo
Recorded on Scully 8-track 1" Tape Recorder, Sound Techniques System 12 mixer in 1983 at Void Studio, Lillemoen. Nesnaveien 92, Båsmoen.
MUSIC BY SVERRE KNUT JOHANSEN
Composed arranged produced and recorded by Sverre Knut Johansen at void studio kråkdalen between 1979-1981 and void studio Lillemoen between 1981-1983
Recorded Edited and Mastered at MUSICSPACECENTER on Sep. - Oct. 2024 by Sverre Knut Johansen
Artwork by Michał Klimczak
